U407 Angle Check Valve
U407 Angle Check Valves are installed on suction system, fuel lines on top of fuel storage tanks to maintain prime. Models are available with male threaded inlets for connection directly into tank bung fittings or with female inlets for connection to a nipple that is threaded into a tank bung fitting. Single-poppet models can be used in applications where the valve is easily accessible for maintenance and disc cleaning or replacement.
Materials:
Body: cast steel
Surface: electronic Nickel plated
Seal : Viton Cased Oil Seal
Features:
U407 features a spring-loaded poppet and Viton Cased Oil Seal discs to assist in keeping the valve closed when installed in high-vibration areas
The Angle Check Valves are recommended for use on suction lines where the pressure does not exceed 34 ft of head. ( approximately 15 psi.)
Materials is cast steel diffrent with cast iron materials , the body will be more stronger more hermetical more pressure resistance
Used for disel, gasoline, ethanol etc.
100% Factory Tested.
we are committed to create the best workplace, encourage our staffs to put their own personalities into their jobs, and provide them a stage to show themselves.
as of February 28th 2006.
© 2006 .
fuel dispenser
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About sponsorship
Rembrandt at 400
The eyes have it
Mar 2nd 2006 | AMSTERDAM
From The Economist pri fuel dispenser nt edition
As artists, Rembrandt and Caravaggio were truly kindred spirits
REMBRANDT and Caravaggio have long been spoken of in the same
breath. One 18th-century writer called Caravaggio “the Rembrandt of
Italy� while another described the Dutch painter as “the Caravaggio
from beyond the Alps� Lord Clark, a former director of London s
National Gallery, remarked on the striking connection, identifying their
dramatic fuel dispenser use of light and dark and their rebellion against classical ideals
of beauty. Clark spent a lifetime looking at pictures, often in his own
halls. The National Gallery owns both Rembrandt s “Belshazzar s Feast�
and Caravaggio s “Supper at Emmaus� two of the paintings that most
reveal the affinity between these barons of the Baroque.
Until now, these works have never been displayed side by side. But for
Duncan Bull, the senior curator of paintings at the Rijksmuseum, they
formed the starting point for organising “Rembrandt-Caravaggio� an
exhibition to mark Rembrandt s 400th birthday this year. “We wanted to
celebrate Rembrandt alongside an artist who thought alike and who
took up similar visual ideas,�he explains.
Rembrandt s scene is grand and Caravaggio s humble, but both artists
use light to focus on a moment of recognition in the faces and gestures
of the subjects; everything else is cast in shadow. This show is not
about artistic influence,�says Mr Bull. “It is about how artistic brains
work.�
The result is a feast, though more a tasting of exquisite flavours t
